Jack Bertolino’s son, Chris, was the victim of a brutal murder attempt and Vincent Cardona, a mafia boss, provided information that helped Jack take down the perpetrator of the crime. Jack accepted the favor knowing there’d be blowback. In Blond Cargo the mobster’s daughter has gone missing and Cardona turned in his chit. Jack discovers that the young, blond, mafia princess has been kidnapped and imprisoned while rich, politically connected men negotiate her value as a sex slave.
A sizzling whodunit for fans of James Patterson and Patricia Cornwell, Blond Cargo taps into the real-life crime world to deliver a thrilling, action-packed story that will keep you on the edge of your seat until the explosive, unprecedented finale.
Ahead of the release of Blond Cargo (Jack Bertolino #2) on Monday 20th October, I’m very pleased to welcome John Lansing to Between The Lines.
1) John, where did the inspiration for Jack Bertolino’s character come from?
Jack Bertolino is an amalgam of all my favorite detectives that I’ve read about in books, written about on television, seen in film, met in real life, or just wanted to be. I’ve always been drawn to flawed characters that were interested in reinventing themselves. Maybe because of my own personal demons and varied career paths.
I wanted to write about a detective who was standing at the crossroads, recovering from a nasty divorce, retiring from the NYPD, leaving the old neighborhood in Staten Island, and moving west to find some peace in his life.
It certainly didn’t work out the way he planned. Twenty-five years of taking down drug dealers, money launderers and thieves, came back to haunt him and shook up his newfound state of bliss in Marina del Rey, California.
2) What’s more important, character or plot?
This question also encompasses question #4.
When I first began writing, I was writing scripts for network television. In that arena, an outline was imperative. First of all, you would never get an assignment until a story, and then the outline was approved. And then once you were green-lit, if another script fell out of the schedule, you might be asked to turn in a finished script in a week’s time. An almost impossible feat without a concise outline.
When I started writing books, my process changed. I began with a premise, which dictated the characters I’d need to tell the story, and they defined the plot. No outline. Flying without a net. Frightening and exhilarating, but it seems to be working. It’s not a better way, just different.
If you have well defined characters that people can empathize with, care about, you can lead them most anywhere. But ultimately, it’s the plot that shows the audience how your protagonist responds to conflict, how he thinks, what makes him tick, and why you should care about him.
So, long winded answer, I think it’s a 50-50 split.
3) This is your second novel, did you find the process any easier/different this time round?
The only process that’s been easier for me the second time around is the marketing of the book. When I wrote The Devil’s Necktie, I didn’t know what a blog was. I’d never heard of a blog tour. I didn’t have a clue what social media was all about, and it was damn intimidating. It was a difficult learning curve, but I’m starting get the hang of it.
Writing a book is difficult work. There’s no other way to say it. It’s gratifying when you’re in the zone and the words are flying off the page, but it’s not for the faint of heart. But as I was telling someone, it’s the only discipline in the creative arts where you don’t have to be hired to ply your craft. You can write a book on a napkin, on a plane, in a one-room shack, all you have to do is commit to writing every day, and you can end up with a completed first draft. I think that’s pretty cool.
4) Could you describe your writing day, and do you work to a structured outline or where ever the characters take you?
When I’m writing a book, it’s pretty much a 24/7 kind of thing. The characters are bouncing around in my head most of the day. I’m problem solving in my sleep. I sometimes wake up with the answers and head for the computer. I write the scene, pour some coffee, walk the dog, and then rewrite the work.
My biggest production occurs in the afternoon. And then the dog demands another walk. I’ll get a little lunch, take a hard look at what’s on the page, and I might do a simple step outline for the next sequence, just to keep things straight in my head. It’s only a road map. Nothing is set in stone. I like to end the day, having some idea of the direction I want to take the next day.
5) Are you planning more Jack Bertolino stories?
I’m knee deep into the third book in the Jack Bertolino series. And in November, Chris Sulavik at Tatra Press is publishing my short story, The Test. It’s a coming of age tale, set on Long Island in 1963 that deals with race, violence, social politics, and young love.
6) That’s good to know! What piece of advice would you give your younger self?
This is a hard question. I began my career, out of college, as a theatre actor before getting into television and film. I started writing for television and moved behind the camera, creating for the first time in my life instead of interpreting. Writing novels is my third career.
I think the best advice I could give to my younger self would be to pick up a pen every day. Fight the negative voices. Make writing a habit. It might be the only habit you have that can enrich your life.
7) On your bucket list?
Bucket list, huh? To have ten Jack Bertolino novels published in the next eight years. Okay, and to find the time to travel more. There’s too much of the world I haven’t seen.
8) Best gift you ever received?
I think the best gift I’ve ever received was getting cast as an understudy for Danny Zuko in the first national tour of Grease. It was a life changer. I rode that train until I won the title role. I spent a year playing Zuko on Broadway. It was a gift that set me on a life course, which allowed me to become a writer. All of my past experiences come into play when I’m sitting in front of my computer.
9) If you won the lottery what would you do first?
Well, now that I’ve won the lottery, I can afford to take that time to travel I was talking about on my bucket list. Maybe spend a few months at a time in another country where I can get Jack Bertolino involved in new cases in exotic locals.
Thanks so much, John, for taking the time to share your thoughts
Excerpt from Blond Cargo
Jack carried a Subway turkey sandwich, a tall unsweetened iced coffee, a bottle of water, and a smile as he keyed the security gate that led to the dock in Marina del Rey where his boat was moored. The marina was always quiet during the week. Just the way he liked it.
He stopped to admire his twenty-eight feet of heaven before stepping onto his boat’s transom and then . . .
“Yo, Mr. B.”
Jack never forgot a voice, which explained his reluctance to turn around.
“Yo, yo, Mr. B.”
Miserably persistent, Jack thought. He turned to face Peter Maniacci, who was dressed head-to-toe in black. With his outstretched arms draped over the chain-link fence, Peter looked like an Italian scarecrow. The black circles under his eyes belied his youth. The sharp points of his sideburns, his boots, and the .38 hanging lazily from a shoulder holster added menace to his goofy grin.
So close, Jack thought. His only worry that day had been
whether to eat his sandwich dockside or out on the Pacific with a view of the Santa Monica Pier.
“How you doing, Peter?”
“How you doin’?”
Jack let out a labored sigh. “We could do this all day. What’s up?”
“That’s funny, Mr. B. How’s the boy? How’s his pitching arm?”
Jack’s face tightened. He wasn’t happy that Peter knew
any of his son’s particulars. When he didn’t answer, Peter continued.
“Hey, nice boat. I used to fish for fluke off the north shore. Long Island. I think I must be in the wrong business.”
“Count on it,” Jack said. “What can I do for you?”
“My boss was wondering if you could spare a few minutes of your time.”
As if on cue, a black Town Car materialized behind Peter and came to a smooth, silent stop. The car rose visibly when Peter’s boss, a thick, broad-shouldered man, stepped out of the rear seat.
Vincent Cardona. Expensive suit, the body of a defensive linebacker—fleshy but muscled. Dark, penetrating eyes. Cardona looked in both directions before leveling his feral gaze on Jack. An attempt at a smile fell short of the mark. A thick manila envelope was tucked under one beefy arm.
Jack had been aware there would be some form of payback due for information Cardona had provided on Arturo Delgado, the man responsible for the attempted murder of his son. He just didn’t think it would come due this quickly. He opened the locked gate and let the big man follow him down the dock toward his used Cutwater cabin cruiser.
As Peter stood sentry in front of the Lincoln Town Car, Jack allowed the devil entry to his little piece of paradise.
“How’s your boy? How’s the pitching arm?” Vincent asked bluntly. Just a reminder of why he was there.
“On the mend.” Jack gestured to one of two canvas deck chairs in the open cockpit of the boat. Both men sat in silence as Jack waited for Cardona to explain the reason for his visit.
Jack wasn’t comfortable with Cardona’s talking about Chris, but the big man had taken it upon himself to station Peter outside Saint John’s Health Center while his son was drifting between life and death. Cardona’s enforcer had scared off Delgado, and that might have saved his son’s life. The unsolicited good deed was greatly appreciated by Jack. The debt weighed heavily.
“It rips your heart out when your children have problems and you can’t do nothing to help,” Cardona said with the raspy wheeze of a man who had abused cigars, drugs, booze, and fatty sausage for most of his life.
“What can I do for you?” Jack asked, not wanting to prolong the impromptu meeting.
Cardona, unfazed by Jack’s brusqueness, answered by pulling out a picture and handing it to Jack.
“Angelica Marie Cardona. She’s my girl. My only. My angel. Her mother died giving birth. I didn’t have the heart to re-up. I raised her by myself.”
Mobster with a heart of gold. Right, Jack thought. But Cardona’s wife must have been a stunner because Angelica, blond, early twenties, with flawless skin and gray-green eyes, didn’t get her good looks from her father. Cardona’s gift was her self-assured attitude, which all but leaped off the photograph.
Jack Bertolino, master of the understatement, he thought.
“And doesn’t she know it. Too much so for her own good. You make mistakes, my line of business. Whatever.”
“What can I do for you, Vincent?” Jack said, dialing back the attitude.
Cardona tracked a seagull soaring overhead with his heavy-lidded eyes and rubbed the stubble on his jaw.
Jack would have paid good money to change places with the gull.
“I shoulda never moved out here. L.A. I’m a black-socks- on-the-beach kinda guy. East Coast all the way. Never fit in. But I’m a good earner and the powers that be decided they were happy with the arrangement. Everyone was happy except Angelica and me.
“She turned thirteen, didn’t wanna have nothing to do with her old man. Turned iceberg cold. I tried everything— private schools, horses, ballet, therapy, live-in help; nothin’ worked. She closed up tighter than a drum. I finally threatened to send her to the nuns.”
“How did that work out?”
“I’m fuckin’ sitting here, aren’t I? On this fuckin’ dinghy . . . no offense meant,” he said, trying to cover, but the flash of anger told the real story. “I hear you’re an independent contractor now.”
It was Tommy Aronsohn, his old friend and ex–district attorney, who had set him up with his PI’s license and first client, Lawrence Weller and NCI Corp. But Jack Bertolino and Associates, Private Investigation, still didn’t come trippingly off his tongue.
And thinking of the disaster up north, he said, “We’ll see how that goes.”
“This is the point. I haven’t seen my daughter in close to a month. Haven’t heard word one since around the time your son was laid up in Saint John’s,” he said. Reminder number two. “It’s killing me,” he continued. “I’m getting a fuckin’ ulcer. Then this.”
Cardona pulled out the L.A. Times with the front-page spread reporting on the woman who had died when her boat crashed on the rocks at Paradise Cove. As it turned out, a second woman down in Orange County had washed up on the beach a few weeks earlier at the Terranea resort, scaring the joy out of newlyweds taking photos at sunset. Talk about twisted memories, Jack thought. As if marriage wasn’t tough enough. He’d already read both articles with his morning coffee and hadn’t bought into the pattern the reporter inferred.
“And the connection?”
“I got a bad feeling is all. She’s never disappeared like this before—not for this long anyway,” he said, amending his statement. “And then . . .” Cardona said, waving the newspaper like it was on fire. “It says here they were both blonds. Both about Angelica’s age. They could be fuckin’ cousins. Could be nothing.”
“Did you file a missing-persons report?”
Cardona gave him a hard side eye. “Jack, don’t fuck with me. We take care of our own.”
Jack thought before he spoke. “I’m not one of yours.”
“What about your crew?”
Cardona flopped open his meaty hands. “I get angina, I don’t call my cousin Frankie, who has a certain skill set but stinks when it comes to open-heart surgery. Look, I get it. You were on the other team. But this is straight-up business. One man to another. One father to another. I need you to find my girl. You got my number. Use it, Jack. Money’s no object. Find my baby.”
Jack didn’t answer. He stared out at the navy-blue water of the marina, past row upon row of beautiful yachts, symbols of dreams fulfilled, and knew they were empty notions compared to family.
Cardona hadn’t actually spoken the words you owe me, but they filled the subtext of everything he’d said. He was not subtle. The big man had reached out when Jack was in need, and Jack had accepted the offer. Now Vincent Cardona wanted his pound of flesh.
“This is everything I know. Last address, phone numbers, phone bills, e-mail accounts, bank, credit cards, friends and whatnot. The whole shot,” Cardona said, holding the manila envelope out in Jack’s direction.
“I have other commitments,” Jack stated.
“You look real fuckin’ busy, Jack, if you don’t mind my sayin’.” His eyes crinkled into a sarcastic grin. Vincent Cardona does charm.
Jack accepted the overstuffed envelope with a sigh.
“If she don’t want to come back, fine. No funny business, no strong-arm bullshit from my end. You got my word. I just need to know that my blood is alive. I’m fuckin’ worried and I don’t do worry too good. Sleep on it, Jack. But do the right thing.”
Cardona’s eyes locked on to Jack’s. Jack remained silent. He’d take a look. No promises, not yet.
Vincent’s knees cracked and the canvas chair squeaked like it was in pain as he stood up. He covered a belch behind his fist and rubbed his gut as he moved stiffly past Jack. The boat rocked when Cardona stepped off and walked heavily away, his Italian leather shoes echoing on the wooden dock.
The weight of the world. Jack could relate.
Peter Maniacci opened the gate for his boss and then the door to the Lincoln Town Car, which plunged to curb level as the big man slid in. Peter ran around to the other side of the car and tossed Jack a wave like the queen mum. He jumped into the Lincoln, which lurched forward before Peter could slam the door shut.
Jack walked into the boat’s deckhouse, grabbed a bottle of water, and downed two more Excedrin. He stretched his back, which was going into a spasm from yesterday’s violence, and chased the pills with a Vicodin to stay one step ahead of the pain that he knew was headed his way.
Jack had already decided to take the case.
John Lansing started his career as an actor in New York City. He spent a year at the Royale Theatre playing the lead role in the Broadway production of “Grease.” He then landed a co-starring role in George Lucas’ “More American Graffiti,” and guest-starred on numerous television shows. During his fifteen-year writing career, Lansing wrote and produced “Walker Texas Ranger,” co-wrote two CBS Movies of the Week, and he also co-executive produced the ABC series “Scoundrels.” John’s first book was “Good Cop, Bad Money,” a true crime tome with former NYPD Inspector Glen Morisano. “The Devil’s Necktie” was his first novel. A native of Long Island, John now resides in Los Angeles.